Hybrid Vigor Music

 

 

Hybrid Vigor Music ~ About The Music

        Home About HVM The Quartet Project The Bug Opera Contact Us

About the Music

Chamber music teachers around the world have expressed a pressing need for

new high quality works for beginning and intermediate string quartets. The

Quartet Project meets that need with a wealth of exciting new music for quartets

of all ages and abilities. International response to The Quartet Project has been

enthusiastic. See what people are saying.

Level of Difficulty

The Quartet Project is divided into six volumes, each containing approximately

40 minutes of music. Volume 1 is for beginners, suitable for players at roughly

the level of Suzuki Book 2 and above. The first two volumes can be played in

first position throughout. Unison passages and homophonic writing (rhythmic

unison) abound. From there, the music grows more demanding, in terms of

both individual technique and ensemble skills. Volume 6 is roughly equivalent

in difficulty to a Bartók or middle Beethoven quartet.

To get a sense of the level of difficulty, check out these sample pieces. If you want some advice on which volume to order, send us

an email. If you’re looking for a specific piece from The Quartet Project, here’s a list of each volume’s contents.

Optional Violin 3

Since young violists can be scarce, Volumes 1, 2, and 3 include an optional third violin part, which can be used in place of a viola. It

is always preferable to use a viola if that option exists.

About the Music

The Quartet Project offers beginning string quartets a chance to taste the harmonies, textures, and rhythms of today’s music. Clearly-

defined themes and engaging melodies are the building blocks of The Quartet Project. For the most part, key signatures are not used.

While triadic harmonies and modal thinking are certainly present, they usually occur outside of a traditional tonal structure.

Rhythmic independence and flexibility are also major themes in The Quartet Project. Shifting meters are introduced in Volume 3 and

they play a prominent role from then on. In the later volumes, imitation of speech rhythms comes to the fore.

The Miniatures

Each book begins with approximately 20 “miniatures”—short character pieces, many of which last for less than a minute. These

miniatures can be used in several ways: to focus on specific ensemble skills, to practice sight-reading, or as pieces that can be

learned in one or two sittings (an antidote to spending an entire semester on a single movement from the standard repertory). For

purposes of performances, several miniatures may be grouped together to form little suites.

The Full-length Quartets

Each book concludes with a full-length quartet—three to six longer movements similar to a standard four-movement string quartet.

To get a better sense of the music, you can listen to selections and download sample scores and parts.

Errata

Most of the pieces in The Quartet Project have been “field-tested” and we’ve made every effort to ensure the accuracy of the printed

scores and parts. That said, when producing a new work of this scale, there are bound to be errors. If you discover any or have

questions about anything, please write to us at office@hybridvigormusic.org. Click here for a list of errors.

 
 

Quartet Project Home

About the Music   

About the CD

Download and listen to sample pieces

The Story of the Quartet Project

About Geoffrey Hudson  

 
 

Order Now

 

Rehearsing The Quartet Project

 

About the Cover Art

Who’s responsible for the beautiful paintings on the cover?

William Mead is a painter who lives and works in Woodstock, NY.

See more of his work at his website.